Pulitzer Prize for Feature Writing
Appearance
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The Pulitzer Prize for Feature Writing is one of the fourteen American Pulitzer Prizes that are annually awarded for Journalism. It has been awarded since 1979 for a distinguished example of feature writing giving prime consideration to high literary quality and originality.
Finalists have been announced from 1980, ordinarily two others beside the winner.[1]
Winners and citations
[edit]In its first 35 years to 2013, the Feature Writing Pulitzer was awarded 34 times; none was given in 2004 and 2014, and it was never split. Gene Weingarten alone won it twice, in 2008 and 2010.[1]
Year | Name(s) | Publication | Rationale |
---|---|---|---|
1979 | Jon Franklin | The Baltimore Sun | "for an account of brain surgery." |
1980 | Madeleine Blais | Miami Herald | "for Zepp's Last Stand." |
Bonnie M. Anderson | Miami Herald | "for 'Execution of My Father.'" | |
John Sandford[a] | St. Paul Pioneer Press | "for a series on Indians." | |
Saul Pett | Associated Press | "On the snail darter." | |
1981 | Teresa Carpenter | The Village Voice | "for her account of the death of actress-model Dorothy Stratten." |
[b] | |||
Madeleine Blais | Miami Herald | ||
Douglas J. Swanson | Dallas Times Herald | ||
1982 | Saul Pett | Associated Press | "for an article profiling the federal bureaucracy." |
Buzz Bissinger | St. Paul Pioneer Press | "for his account of a near air crash and its aftermath." | |
Erik Lacitis | The Seattle Times | "for his series on abortion." | |
1983 | Nan C. Robertson | The New York Times | "for her memorable and medically detailed account of her struggle with toxic shock syndrome." |
Don Colburn | The Everett Herald | "for his documentation of the work of the nation's largest burn treatment center in Seattle, Washington." | |
James Ricci | Detroit Free Press | "for his extraordinary account of an organ donation 'Kelly's Gift,' and the effects it had on the lives of four strangers." | |
1984 | Peter Rinearson | The Seattle Times | "for 'Making It Fly,' his account of the new Boeing 757 jetliner." |
Charles Bowden | Tucson Citizen | "for his stories on illegal immigrants, sexual abuse of children and the deaths of two men." | |
Jay William Hamburg | Birmingham Post-Herald | "for his documentation of the work of the nation's largest burn treatment center in Seattle, Washington." | |
Nancy Tracy | Hartford Courant | "for her moving account of Meg Casey, a victim of premature aging." | |
1985 | Alice Steinbach | The Baltimore Sun | "for her account of a blind boy's world, 'A Boy of Unusual Vision.'" |
Scott Kraft | Associated Press | "for his story about a family's search for the man who raped their daughter." | |
Michele Lesie | The Morning Journal | "for her story of Jennifer Brandt, teen-age suicide." | |
1986 | John Sandford | St. Paul Pioneer Press | "for his five-part series examining the life of an American farm family faced with the worst U.S. agricultural crisis since the Depression." |
David Lee Preston | The Philadelphia Inquirer | "for his account of how, by means of a trip through Germany and Eastern Europe, he managed to come to terms with his father's experiences in the Holocaust." | |
Irene Virag | Newsday | "for her elegantly written and sensitive stories about the aspirations and accomplishments of ordinary people." | |
1987 | Steve Twomey | The Philadelphia Inquirer | "for his illuminating profile of life aboard an aircraft carrier." |
Barry Bearak | Los Angeles Times | "for three gracefully written stories dealing respectively with a prison lawsuit, a family murder and an aging stand-up comic." | |
Michael Connelly | Sun Sentinel | "for 'Into the Storm--the Story of Flight 191,' a sensitive reconstruction of an airplane crash." | |
Robert McClure | |||
Malinda Reink | |||
Alex S. Jones | The New York Times | "for 'The Fall of the House of Bingham,' a skillful and sensitive report of a powerful newspaper family's bickering and how it led to the sale of a famed media empire." | |
1988 | Jacqui Banaszynski | St. Paul Pioneer Press | "for her moving series about the life and death of an AIDS victim in a rural farm community." |
John Dorschner | Miami Herald | "for richly detailed stories about a violent neighborhood feud, ethnic tensions in the Miami police department and Holocaust survivors in South Florida." | |
Lynne Duke | Miami Herald | "for her powerful story about life at a housing project overrun by the drug crack." | |
1989 | David Zucchino | The Philadelphia Inquirer | "for his richly compelling series, 'Being Black in South Africa.'" |
Tad Bartimus | Associated Press | "for her story about the accidental drowning of three brothers and the effect it had on their small Missouri town." | |
Bob Ehlert | The Minnesota Star Tribune | "for his stories about a local priest accused of sexual abuse." | |
Loretta Tofani | The Philadelphia Inquirer | "for stories about a heroin addict's pregnancy and the birth of her addicted infant." | |
1990 | Dave Curtin | The Gazette | "for a gripping account of a family's struggle to recover after its members were severely burned in an explosion that devastated their home." |
Mark Kriegel | New York Daily News | "for 'The People's Court,' a detailed account of the game of basketball as it is played on New York City playgrounds." | |
Jay Reed | Milwaukee Journal Sentinel | "for a poignant series about his return to Vietnam." | |
1991 | Sheryl James | St. Petersburg Times | "for a compelling series about a mother who abandoned her newborn child and how it affected her life and those of others." |
Tad Bartimus | Associated Press | "for her moving account of her father's death from lung cancer." | |
Wil Haygood | The Boston Globe | "for three illuminating portraits of African-American life." | |
1992 | Howell Raines | The New York Times | "for 'Grady's Gift,' an account of the author's childhood friendship with his family's black housekeeper and the lasting lessons of their relationship." |
Frank Bruni | Detroit Free Press | "for his profile of a child molester that challenged many assumptions about sexual abuse." | |
Sheryl James | St. Petersburg Times | "for her gripping account of the effort to transplant the organs of a dead boy and turn the tragedy of his death into a gift of life for others." | |
1993 | George Lardner | The Washington Post | "for his unflinching examination of his daughter's murder by a violent man who had slipped through the criminal justice system." |
Hank Stuever | The Albuquerque Tribune | "for his lively and vivid reporting of the celebration of a young couple's wedding." | |
Judith Valente | The Wall Street Journal | "for her moving story about a family brought together by AIDS." | |
1994 | Isabel Wilkerson | The New York Times | "for her profile of a fourth-grader from Chicago's South Side and for two stories reporting on the Midwestern flood of 1993." |
Mark Feeney | The Boston Globe | "for his provocative profile of former President Richard Nixon." | |
Scott Higham | Miami Herald | "for their chilling portrait of seven suburban teenagers accused of murdering a friend." | |
April Witt | |||
1995 | Ron Suskind | The Wall Street Journal | "for his stories about inner-city honor students in Washington, D.C., and their determination to survive and prosper." |
David Finkel | The Washington Post | "for his story examining middle class flight from the District of Columbia, and for two profiles: of a family that watches television 17 hours a day, and of a Rush Limbaugh fan." | |
Anne Hull | St. Petersburg Times | "for her account of a local businessman's secret life of drug addiction and consorting with prostitutes." | |
Fen Montaigne | The Philadelphia Inquirer | "for stories about people who enjoy the outdoors, especially those with a passion for fishing." | |
1996 | Rick Bragg | The New York Times | "for his elegantly written stories about contemporary America." |
Richard Meyer | Los Angeles Times | "for 'Buried Alive,' his chilling profile of a woman's desperate attempts to communicate after being left mute and paralyzed by strokes." | |
Hank Stueve | The Albuquerque Tribune | "for his detailed and highly personal account of returning to his hometown of Oklahoma City after the bombing there." | |
1997 | Lisa Pollak | The Baltimore Sun | "for her compelling portrait of a baseball umpire who endured the death of a son while knowing that another son suffers from the same deadly genetic disease." |
Jeffrey Fleishman | The Philadelphia Inquirer | "for his versatile storytelling, notably including an account of the flight of 15 Buddhist monks from Tibet through the Himalayas." | |
Julia Prodis | Associated Press | "for her trio of vivid stories about three teenagers on a deadly journey, a photograph from the Oklahoma City bombing, and a vacuum cleaner that catches prairie dogs." | |
1998 | Thomas French | St. Petersburg Times | "for his detailed and compassionate narrative portrait of a mother and two daughters slain on a Florida vacation, and the three-year investigation into their murders." |
Steve Giegerich | Asbury Park Press | "for his startling and original story about a bond that formed between four medical students and the cadaver they studied." | |
J. R. Moehringer | Los Angeles Times | "for 'The Champ,' an extraordinary documentation of a heavyweight boxer's glory days and his fall." | |
1999 | Angelo Henderson | The Wall Street Journal | "for his portrait of a druggist who is driven to violence by his encounters with armed robbery, illustrating the lasting effects of crime." |
Tom Hallman Jr. | The Oregonian | "for his unique profile of a man struggling to recover from a brain injury." | |
Eric L. Wee | The Washington Post | "for his moving account of a Washington lawyer whose collection of postcards helps to preserve his memories of a fleetingly happy childhood." | |
2000 | J. R. Moehringer | Los Angeles Times | "for his portrait of Gee's Bend, an isolated river community in Alabama where many descendants of slaves live, and how a proposed ferry to the mainland might change it." |
David Finkel | The Washington Post | "for his moving account of a woman forced to choose between staying with her family in a Macedonian refugee camp, or leaving to marry a man in France." | |
Anne Hull | St. Petersburg Times | "for her quietly powerful stories of Mexican women who come to work in North Carolina crab shacks, in pursuit of a better life." | |
2001 | Tom Hallman Jr. | The Oregonian | "for his poignant profile of a disfigured 14-year-old boy who elects to have life-threatening surgery in an effort to improve his appearance." |
Robin Gaby Fisher | The Star-Ledger | "for her inspirational stories that chronicled the care and recovery of two students critically burned in a dormitory fire at Seton Hall University." | |
Richard Meyer | Los Angeles Times | "for his elegant, insightful portrait of a Tennessee family whose son shot three people at his high school." | |
2002 | Barry Siegel | Los Angeles Times | "for his humane and haunting portrait of a man tried for negligence in the death of his son, and the judge who heard the case." |
Ellen Barry | The Boston Globe | "for her empathetic and illuminating portrait of teenaged Sudanese boys resettled in the U.S. who must engage with American culture." | |
David Maraniss | The Washington Post | "for his moving and textured reconstruction of the tragic events of September 11th, described through the actions of several key participants." | |
2003 | Sonia Nazario | Los Angeles Times | "for 'Enrique's Journey,' her touching, exhaustively reported story of a Honduran boy's perilous search for his mother who had migrated to the United States." |
Connie Schultz | The Plain Dealer | "for her moving story about a wrongfully convicted man who refused to succumb to anger or bitterness." | |
David Stabler | The Oregonian | "for his sensitive, sometimes surprising chronicle of a teenage prodigy's struggle with a musical talent that proved to be both a gift and a problem." | |
2004 | No award | ||
Anne Hull | The Washington Post | "for their intimate exploration of the lives of wounded soldiers returning from Iraq." | |
Tamara Jones | |||
Robert Lee Hotz | Los Angeles Times | "for his lucid story on the efforts to unravel the mystery of why the Columbia space shuttle fell from the sky." | |
Patricia Wen | The Boston Globe | "for her story chronicling more aggressive efforts by states to terminate the rights of parents." | |
2005 | Julia Keller | Chicago Tribune | "for her gripping, meticulously reconstructed account of a deadly 10-second tornado that ripped through Utica, Illinois." |
Robin Gaby Fisher | The Star-Ledger | "for her exhaustive look inside the lives of students at an alternative high school, shattering stereotypes and delineating memorable characters." | |
Anne Hull | The Washington Post | "for her clear, sensitive, tirelessly reported stories on what it means to be young and gay in modern America." | |
2006 | Jim Sheeler | Rocky Mountain News | "for his poignant story on a Marine major who helps the families of comrades killed in Iraq cope with their loss and honor their sacrifice." |
Dan Barry | The New York Times | "for his rich portfolio of pieces capturing slices of life in hurricane-battered New Orleans as well as his own New York City." | |
Mary Schmich | Chicago Tribune | "for her intimate and compelling story about a federal judge whose husband and mother were murdered by an angry former plaintiff." | |
2007 | Andrea Elliott | The New York Times | "for her intimate, richly textured portrait of an immigrant imam striving to find his way and serve his faithful in America." |
Christopher Goffard | St. Petersburg Times | "for his fresh and compelling stories about a young public defender and his daily challenges." | |
Inara Verzemnieks | The Oregonian | "for her witty and perceptive portfolio of features on an array of everyday topics." | |
2008 | Gene Weingarten | The Washington Post | "for his chronicling of a world-class violinist who, as an experiment, played beautiful music in a subway station filled with unheeding commuters." |
Thomas Curwen | Los Angeles Times | "for his vivid account of a grizzly bear attack and the recovery of the two victims." | |
Kevin Vaughan | Rocky Mountain News | "for his sensitive retelling of a school bus and train collision at a rural crossing in 1961 that killed 20 children." | |
2009 | Lane DeGregory | St. Petersburg Times | "for her moving, richly detailed story of a neglected little girl, found in a roach-infested room, unable to talk or feed herself, who was adopted by a new family committed to her nurturing." |
John Barry | St. Petersburg Times | "for his concise, captivating story about a rescued baby dolphin that needed a new tail and became a famous survivor, illuminating the mysterious connection between human beings and animals." | |
Amy Ellis Nutt | The Star-Ledger | "for her poignant, deeply reported story of a chiropractor who suffered a severe stroke following brain surgery and became a wildly creative artist, in many ways estranged from his former self." | |
Diane Suchetka | The Plain Dealer | "for her harrowing tale of a mechanic whose arms were reattached after being severed in an accident, a disciplined narrative that takes readers on the man's painful personal and physical journey to recover." | |
2010 | Gene Weingarten | The Washington Post | "for his haunting story about parents, from varying walks of life, who accidentally kill their children by forgetting them in cars." |
2011 | Amy Ellis Nutt | The Star-Ledger | "for her deeply probing story of the mysterious sinking of a commercial fishing boat in the Atlantic Ocean that drowned six men." |
2012 | Eli Sanders | The Stranger | "for his haunting story of a woman who survived a brutal attack that took the life of her partner, using the woman's brave courtroom testimony and the details of the crime to construct a moving narrative." |
2013 | John Branch | The New York Times | "for his evocative narrative about skiers killed in an avalanche and the science that explains such disasters, a project enhanced by its deft integration of multimedia elements." |
2014 | No award | ||
2015 | Diana Marcum | Los Angeles Times | "for her dispatches from California's Central Valley offering nuanced portraits of lives affected by the state's drought, bringing an original and empathic perspective to the story." |
2016 | Kathryn Schulz | The New Yorker | "for an elegant scientific narrative of the rupturing of the Cascadia fault line, a masterwork of environmental reporting and writing."[2] |
2017 | C. J. Chivers | The New York Times | "for showing, through an artful accumulation of fact and detail, that a Marine's postwar descent into violence reflected neither the actions of a simple criminal nor a stereotypical case of PTSD."[3] |
2018 | Rachel Kaadzi Ghansah | GQ | "for an unforgettable portrait of murderer Dylann Roof, using a unique and powerful mix of reportage, first-person reflection and analysis of the historical and cultural forces behind his killing of nine people inside Emanuel AME Church in Charleston, South Carolina." |
2019 | Hannah Dreier | ProPublica | "for a series of powerful, intimate narratives that followed Salvadoran immigrants on New York's Long Island whose lives were shattered by a botched federal crackdown on the international criminal gang MS-13."[4] |
2020 | Ben Taub | The New Yorker | "for a devastating account of a man who was kidnapped, tortured and deprived of his liberty for more than a decade at the Guantanamo Bay detention facility, blending on-the-ground reporting and lyrical prose to offer a nuanced perspective on America's wider war on terror."[5] |
2021 | Nadja Drost | The California Sunday Magazine | "for a brave and gripping account of global migration that documents a group's journey on foot through the Darién Gap, one of the most dangerous migrant routes in the world."[6] |
Mitchell S. Jackson | Runner's World | "for a deeply affecting account of the killing of Ahmaud Arbery that combined vivid writing, thorough reporting and personal experience to shed light on systemic racism in America." | |
2022 | Jennifer Senior | The Atlantic | "for an unflinching portrait of a family's reckoning with loss in the 20 years since 9/11, masterfully braiding the author's personal connection to the story with sensitive reporting that reveals the long reach of grief."[7] |
2023 | Eli Saslow | The Washington Post | "for evocative individual narratives about people struggling with the pandemic, homelessness, addiction and inequality that collectively form a sharply-observed portrait of contemporary America."[8] |
2024 | Katie Englehart | The New York Times | "for her fair-minded portrait of a family’s legal and emotional struggles during a matriarch’s progressive dementia that sensitively probes the mystery of a person’s essential self."[9] |
Notes
[edit]References
[edit]- ^ a b "Feature Writing". The Pulitzer Prizes (pulitzer.org). Retrieved 2013-12-26.
- ^ "Feature Writing". Retrieved 28 April 2016.
- ^ "Feature Writing". Retrieved 11 April 2017.
- ^ "2019 Pulitzer Prizes Journalism: Feature Writing - Hannah Dreier of ProPublica". 2019-04-15. Retrieved 2019-04-16.
- ^ "Guantánamo's Darkest Secret". The New Yorker. 2020-05-05. Retrieved 2019-05-05.
- ^ "Nadja Drost freelance". www.pulitzer.org. Retrieved 2023-01-11.
- ^ ""2022 Pulitzer Prizes & Finalists"". Pulitzer Prize. May 9, 2022. Retrieved May 9, 2022.
- ^ "The 2023 Pulitzer Prize Winner in Feature Writing". Pulitzer Prize. Retrieved May 15, 2023.
- ^ "Katie Engelhart, contributing writer, The New York Times". The Pulitzer Prize. May 6, 2024. Retrieved 2024-05-07.